Contribution Towards an Ethics of Listening: An Improvising Musician's Perspective release_2xkjsod3jfbmzinfvhwdi6x2m4

by Simon Waters

Published in Critical Studies in Improvisation by University of Guelph.

2018   Volume 12

Abstract

The practice of "free-improvised" music would seem to present a privileged site for the study of contingent relations: a world in which individuals dynamically adapt within a network of conduct which constitutes its own meaningfulness; in which sound and touch seem co-extensive. This would seem to be an ideal context for the discovery of empathic and ethical behavior. It is argued here, however, that "doing" empathy is in itself improvisatory, and that improvising can thus be placed centre-stage as an essential adapting and organizing skill, rather than a peripheral or abstruse "aesthetic" conduct.
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Date   2018-03-30
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