Antonin Artaud y la Medea de Séneca release_2ex4irhaiffnrc4y2ivc76zzwm

by Juan Carlos Sánchez León

Published in Espacio, Tiempo y Forma. Serie II, Historia Antigua by UNED - Universidad Nacional de Educacion a Distancia.

1999   Issue 12

Abstract

Este artículo analiza la influencia de las tragedias de Séneca en la filosofía teatral que Antonin Artaud desarrolla entre 1932 y 1936. En su reseña de una adaptación española de Medea representa en México en 1936 (publicada en el diario El Nacional), Artaud explica algunos conceptos teóricos de los manifiestos del «Teatro de la Crueldad» (1932-1933), especialmente la «técnica de la tragedia».This article analyses the influence of Séneca's tragedles on the philosophy of drama developed by Antonin Artaud between 1932 and 1936. In his review of a Spanish adaptation of Medea performed in México in 1936 (published in the Journal E\ Nacional), Artaud explains some theoretical concepts appeared in the manifestos of the «Theatre of Cruelty» (1932- 1933), specially the «techñique of tragedy».
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