Towards a dramaturgy of appropriation: the re-vision of Shakespeare in two Canadian plays, Michael O'Brien's Mad boy chronicle and Djanet Sears's Harlem duet release_7xfddelxjrblhlpadtv6kgjriy [as of editgroup_ci7ayldmfvcbfgof3dyxq3mehm]

by James Stuart. McKinnon

Published by University of Alberta Libraries
Release Year 2002
Publisher University of Alberta Libraries
Type  article-journal
Stage   published
Year   2002
Work Entity
grouping other versions (eg, pre-print) and variants of this release
Accepted Edit Version

This is the version of the entity as of a specific merged editgroup: ci7ayldmfvcbfgof3dyxq3mehm